The second to last track in the album is also the theme for the last area in the game and the last song I composed before I quit the project. The opening is a reinterpretation of the first area's theme (with the Doctor's leitmotif substituted for the original hero's melody) that then moves into a rock section, and then again to a baroque prelude before repeating. It's probably my least favorite part of the soundtrack, but I don't think it's completely without merit either.
The version of the song you hear on this album is not exactly what you would hear in the module or in a game, as it actually ends during the final cadence instead of looping.
Intricately constructed house music conjures up dystopian soundscapes with sonics both natural and alien. And it bangs, too. Bandcamp New & Notable Feb 21, 2020
Super sparse and spacey analog synths reference this polish composer's roots in the pre-internet subculture known as the demoscene. Bandcamp New & Notable Mar 30, 2017